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Year:
2017
Country:
USA
Genre:
Thriller, Mystery, Horror
IMDB rating:
5.0
Director:
Robert Legato
Milica Govich as Nurse Fletcher
Tim Holmes as Krieger
Jordan Trovillion as Pretty Girl
Rick Robinson Jr. as Detective Frazer
Storyline: Set in a defunct insane asylum known as 'Eloise,' four friends break into the abandoned institution in hopes of finding a death certificate, which will grant one of them the rights to a sizable inheritance. While inside the asylum, the group not only finds that Eloise houses a horrifying history but also the truth about their own tragic pasts.
Type Resolution File Size Codec Bitrate Format
720p 1280x532 px 2907 Mb h264 4388 Kbps mkv Download
HQ DVD-rip 720x304 px 1416 Mb mpeg4 2138 Kbps avi Download
DVD-rip 640x272 px 699 Mb mpeg4 1055 Kbps avi Download
Reviews
Not a great horror film, even by low budget standards.
Eloise is a movie based on a real world location in Michigan, more specifically a closed sanitarium that was renowned for it's terrible medical practices.

The movie centers around a son who discovers he has the opportunity to inherent his Father's estate, which comes along with a hefty amount of money.

But there's a catch, he needs to get his Mother's death certificate. Everything seems easy enough until he discovers that his Mother's death certificate was actually moved to a different location and in order to get it, he would need to file go through a lengthy (and expensive) legal process.

So instead of going through the legal system and getting the paper work how he should (legally), he decides to break into the now defunct sanitarium with a friend.

I am not a lawyer, but the entire concept that the movie is focused on seems kind of sketchy, you'd think all of this would have been handled already. And why would their son need to go to court to get a copy of his Mother's death certificate?

Besides being riddled full of weird plot holes, at first glance the movie appears to be your generic haunted sanitarium , but it starts to get really goofy as the film goes on. Frankly, I feel the movie would have been much better if it had went for the generic spooky ghost film instead of what they went with.

The acting and cinematography are fine for what it is; I have no complaints. The writing is pretty shaky and the plot of the movie doesn't really make a whole lot of sense.

To be honest, I wouldn't even rent this from a RedBox. If it came on NetFlix or Hulu or something and you got some time to burn (the movie isn't even 2 hours), then go for it, but I can't recommend spending actual money to see this film.
2017-01-31
What a DUD!!
What a DUD!! This movie is un-watchable. The plot is impossible to follow and makes no sense at all. The dismal execution between the high school quality plot-direction and a flat out failure at "scary" are the proverbial "nails in the coffin" for this movie. Actually, calling it a movie, does an injustice to the word "movie". The characters act as if they were just thrown into the mix. Poor direction is an understatement. Which brings up the question of how this movie ever got made? Makes you wonder if there was any adult oversight - its truly that bad! The other questions that beg asking is how did the actors ever accept these roles? What were they thinking (or were they)? And, were they that desperate - or was greed the motivating factor? In my opinion, for the actors and director, this is career ending material, or at best, definitely career changing (for the worse). This one will more than likely be lining the discount bin of your local dollar store in the not to distant future. Final question - how do I get my money back?
2017-02-03
It wasn't THAT bad.
The movie wasn't THAT bad. The only reason I watched it is because I grew up not far from there and didn't realize this was shot on site. I had never been in there but as a kid was threatened to be thrown in there 50 times (C'mon every town has one of these places that kids know of like "If you don't straighten up we're going to have you thrown in Shady Pines". Well for us it was Eloise).

The most horrifying thing about this movie was how they got that black dude to play that 1970s J.J. stereotype then have him stealing the drugs and shooting at everything. Having him nearly drown was the icing on the cake as you know black people are afraid of water too (eyeroll).

TRIVIA: Jackie Wilson is buried in a cemetery across the road from this place. It was paupers grave for years until they raised enough money for a proper monument.
2017-06-07
Not true
This story is not true; it is total fantasy. Eloise was a real place but otherwise the story is total fiction. I don't see any reviews that makes that totally clear.

The story is ridiculous, as many other reviews say. It is also boring and confusing. It is boring in that there are portions that are like dramatic pauses that are quite lengthy and then not much happens after the pause; little or no drama. It is confusing because there are flashbacks but I have no idea of the relevance of the flashbacks. Sometimes the present-day characters are in the flashbacks but there is a thirty-year difference in time. Perhaps there is an explanation in the movie about how the present-day characters are in the flashbacks and if so then I was too bored to understand.

If you are an Eliza Dushku fan then I think you will be disappointed; there is not much material in the movie to get much of her. She cares about her brother and is sweet like that but otherwise there is not much.
2017-09-08
Okay… Who forgot to bring the plot line?
Of all the elements that go into the making of a movie, by far the most difficult to do well is the plot line. Most of the other elements in a movie (lighting, cinematography, music, acting, etc.) can almost be guaranteed if you have enough of a budget to purchase the appropriate talent. But getting a good story? That's almost always a crap shoot. Certainly there are some writers who have a better track record than others for producing quality stories, but it's never a shoo-in.

And nowhere are these truths more apparent than in ELOISE. Overall, the fundamental production values within ELOISE are much higher than they are for the average of this sort of movie. There are at least two "namebrand" actors in the movie: Eliza Dushku and Robert Patrick, both of whom have long and well-established careers and both do a decent job in ELOISE. Brandon T. Jackson is a little less well-established but he certainly does a respectable job with the thin material he is given.

Lighting, sound and music are all professionally polished.

A particularly interesting element to this movie is that it's not merely BASED upon an actual insane asylum, but almost everything about the asylum is completely real. Even the name of the movie itself is the actual name of the real place, and much of the movie is really shot there (at least what of it is still left standing today).

Here's a Wikipedia article about it: https://en.wikipedia.org/wiki/Eloise_(psychiatric_hospital)

Here's a for sale listing if you'd like to buy one of the remaining buildings which appears in the movie: http://www.loopnet.com/Listing/19494723/30600-Michigan-Avenue- Westland-MI/?linkcode=31060

Here's a YouTube video which claims to show images taken at the asylum: https://www.youtube.com/watch?v=uNbF3FNNXpo , although it's impossible to know if these images are actually from the asylum for a certainty.

It's worth a Google search and rooting around the Internet for a while. The history of the place is fascinating and the "insane asylum" part of it is actually only one aspect of something that evolved through many different incarnations and purposes over its overall 145 year existence.

ELOISE's reputation as a haunted place is an open question to be answered by those who believe in that sort of thing. There have been many medical advances over the last couple of hundred years but we would naturally view some of the medical practices that historically happened there as horrific by today's standards. The whole field of psychiatry and the treatment of mental illness, and even the definition of mental illness itself, have more or less invented themselves during that same time period. Given the arrogant but popular tendency to judge other eras by our own standards so in vogue nowadays, this certainly provides a context of rich material to draw from. Whatever horrors actually happened at ELOISE are largely a function of insufficient funding, incessant overcrowding and the primitive state of what science was involved. I'm sure future generations will look back upon the present day with similar horror.

So ELOISE certainly has a lot of things going for it.

And then the whole thing is topped off with one of the worst plot lines EVER, even for the "haunted insane asylum" ilk.

ELOISE brings nothing new or original or even interesting to the haunted asylum genre. Fundamentally it confabulates and intermingles the notion of ghosts and some bizarre variation of timeshifting/time travel. It's as if the director said, "It's an insane asylum, right? So let's just throw a bunch of insane, disjointed and disconnected crap at the screen and hope for the best." What ELOISE calls horror is mostly just throwing our heroes somehow back in time and distorting practitioners in bygone eras as monsters gleefully enjoying torturing people rather than simply doing the best they knew to do at the time.

And there are a few more crimes against cinema, in no particular order:

Dictated by the plot line, Robert Patrick is woefully underutilized and is clearly a ringer brought in purely for his name and face. I would be surprised if his total on-screen time added up to more than 5 minutes.

Brandon T. Jackson, unbelievably, is literally used as the token- black-guy-who-gets-killed-first trope.

In a desperate attempt to make an un-scary and tiresome movie more scary, there are constant, blinding strobe flashes (supposed to be lightning happening outside) to create "atmosphere" but only serve to either give you a headache or an epileptic seizure.

I wouldn't exactly call GRAVE ENCOUNTERS a top-quality movie, but it's plot line had a lot more going for it in terms of the haunted asylum concept then did ELOISE.
2017-01-31
4 people join forces to locate a death certificate in a closed psychiatric asylum in order for one of them to inherit 1.2 million dollars
First, let me say I am not a horror film aficionado. I do not watch them, period. However I am extremely interested in urban exploration of abandoned mental hospitals. That is what peeked my interest initially.

The story line is your basic way to get into these abandoned hospitals, then the visions and hysteria that accompanies infiltration once there. I agree the acting left a lot to be desired, but I think the strength of the movie lies in the depiction of suspended reality. Which is real and which is imagined scenes? The film left me a bit unbalanced as I watched the 4 struggle with their own fears while in the very secret, very restricted annex.

Did anybody get the homeless guy? Well, I thought about him for awhile, then concluded he was the infamous Dr. H.H. Greiss in the flesh looking for a part of his life that was taken away from him. Watch this part carefully and see if you don't agree. I thought the plot twist at the end regarding the true relationships from the past was sheer genius, including that of Jacob and Dr. Greiss. Once again, having read the previous reviews, you should bypass the horror aspect and look at it from the perspective of hidden lives that were never fully buried.

The beginning shows Pia in some sort of room. Was that a modern version of Eloise? Was it jail, what was it? In the end they go back to the room with Pia. I liked that full circle inference and the parallel to what the patients of Eloise may have experienced. It depicts being unhinged in what seems to be a reality you are lost in, when no one believes what you have seen. Was the whole affair nothing but a figment of Pia's broken brain? Hmm, did she create the sketches, the receipts, the entire story because she was crazy and had been part of Eloise as a child, then locked away in an asylum for life, where she could only create a normal life by living in her head, but not really living it?

As horror, it left much to be desired. However, the story told may not be what you think, or maybe it is. You decide.
2017-07-24
horrible...
the most unrealistic acting I have ever seen. also very bad directing, bad sound, bad lighting, bad everything ! Casting was very bad too. the only interesting thing is some of the outdoor shots and you get to see something that is somewhere else so it got some kind of value, but aside from that, the movie totally suck.
2017-05-02
Chilling if somewhat flawed effort
Following his father's death, a young man in need of a paper for the inheritance finds that it's placed in an abandoned mental hospital and gathers a few friends to help retrieve it only to find the area haunted by the ghosts of residents who died there and must make it out alive.

For the most part, this one wasn't all that bad an effort. Most of what really works here are the incredibly strong atmosphere present here as the film makes the most of its genuinely haunting setting. The asylum is quite unnerving here, with the Gothic atmosphere given quite a prominent showcase being filled with long hallways, twisting designs and cramped rooms filled with the elaborate decor in a state of disuse and neglect. This overall look works nicely with the raging thunderstorm and utter darkness of the situation to create an eerie, effectively chilling location that gives the scenes plenty of weight for later. The haunting scenes here are quite fun, from the one victim suffering from continuous ghostly hallucinations around him that the rest of the group is unaware of, the hallucination of the doctor and his staff operating on the one friend or the chilling sequence of the ghosts trapping the one victim in the flooding room and trying to drag him underwater which is shown from his perspective as well as theirs which adds to the dizzying nature of the scene. Other big scenes include their twisted trip into the dining room which turns into them experiencing the crazy parties of the past where the patients and hospital staff converge together in a wild celebration which is all the eerier for taking place in a distorted sepia-toned view. The final half, which features their true selves back in the past where they get subjected to the tortures of their own fears generates a rather fun time as there's a fun time going through the potential traps and eventual escape that occurs here. These manage to hold it up over the few rather small flaws present. The main issue that brings this one down is the film's rather clumsy and haphazard story that comes off rather strangely at times. Though it generates the required setup for the story, there's no real reason why the kid himself is the one that's needed to visit the asylum under the direction of the lawyer's office which would've handled that matter for him. This unrealistic set-up is only a part of it all, which extends to how they plan to go about breaking in and stealing the material which doesn't make any sense at all and hampers the storyline with its incredulity. Likewise, the film takes quite a while to get going with the discovery of the hospital's past that it really flies through its torture scenes due to the lengthy and rather overlong first half that could've been cut down considerably. The other issue here is that there's no real reason for their continuous back choices that befall so many scenes here that basically put them into danger quite often throughout here to move the film along which becomes quite infuriating. These here are what hold this one back.

Rated R: Graphic Language and Graphic Violence.
2017-10-07
Premisea tough one...
In horror movies whatever it takes to get the leads into the creepy house, forest, or in this case asylum usually isn't a major deal, but it does have to have some validity; at least for me. Campers camping, sure. Ghost hunters hunting, sure. Newlyweds in remote mountain cabin with a few pals celebrating, sure.

However in the case of "Eloise" we must buy into a legal statute saying someone must be missing 7 years to be declared dead. While this is a fairly common statute, in this instance, the person has been missing since 1982 when the asylum they were committed in burned. Still the protagonists lawyer insists it will take 7 years from the current date forward (not 1982, but the present) to declare them dead. Mentioned early in, it bugged me throughout.

The presumption of death would not be a major 7 year hurdle if the person has not been seen or heard from in 30+ years and had been committed to an asylum at the time it burned down. The same legal principal that was used after WWII to declare missing people dead would come into play. Anyway... fine spook show otherwise. If you do not let the absurd 7 year thing get in the way, you'll have fun.
2017-02-27
God-awful!
Oh, dear Lord – where to begin? A horror film? The only thing horrific about this movie is that it was filmed at all. The plot is nonsensical to the point of being laughable. The acting is forgettable to say the least, and this from a guy who has tremendous admiration for Eliza Dushku. But even her fading skills cannot resurrect this travesty. The plot holes are so huge and so numerous as to belie description. Let's start with the asylum itself, supposedly abandoned for 30 years. Amazingly, it still has power to all the lights, although they all are flickering constantly. Having all the red EXIT lights still visible and functioning after three decades was a nice touch. The hospital medicine cabinet is still fully stocked after 30 years, which allows one of the ridiculously unnecessary characters to accidentally absorb some LSD. Say what? I found myself regularly saying "Seriously?" out loud, even though I was alone. It was that bad. Not even any gratuitous sex scenes to liven things up, nor does the still-luscious Eliza even wear any form fitting clothes for some desperately-needed eye candy. This film disappoints on virtually every level. I would give it a zero rating if I could. The only thing you will want after watching is to somehow get that wasted hour and a half back. Eliza, Eliza ... are times really that hard now?
2017-02-10
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