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Year:
2000
Country:
USA
Genre:
Crime, Drama, Thriller, Mystery
IMDB rating:
8.5
Director:
Christopher Nolan
Guy Pearce as Leonard
Carrie-Anne Moss as Natalie
Joe Pantoliano as Teddy Gammell
Russ Fega as Waiter
Jorja Fox as Leonard's Wife
Storyline: Memento chronicles two separate stories of Leonard, an ex-insurance investigator who can no longer build new memories, as he attempts to find the murderer of his wife, which is the last thing he remembers. One story line moves forward in time while the other tells the story backwards revealing more each time.
Type Resolution File Size Codec Bitrate Format
1080p 1916x816 px 13303 Mb h264 640 Kbps mkv Download
HQ DVD-rip 852x362 px 1345 Mb h.264 1500 Kbps flv Download
DVD-rip 640x272 px 692 Mb msmpeg4 731 Kbps avi Download
iPhone 480x204 px 605 Mb xvid 600 Kbps mov Download
Reviews
A string of pearls ...
This interesting movie is about a man who can only remember stuff that happens within a minute due to an accident he had when some rapists were molesting his wife. The story shows us a man on a quest to revenge the death of his wife, but with a twist! The movie moves backwards in time although the sequential series of events that progress in clusters are in a normal timeframe moving forwards in time. This way of telling a story opens up the narration in such a way that new perspectives and surprises revels themselves at the beginning of each new cluster, thus creating a deeper understanding of the previous cluster / action. There seems to be a metatheme in this movie. The main character was a detective for an insurance company before his accident. Now the whole movie seems to follow the path such a detective would go by when investigating. Namely, starting out with the crime itself and working backwards untill the person who did it and the motive is found. This movie might also allude to the current state of our historical science, showing that memory, and especially history can be tampered with and changed (especially in the hands of less morally founded individuals). Thus one might even say it is a profound criticism of the all objectivity. Basically though, this is a thriller about manipulation in its different shapes and forms, and how people use each others weaknesses to outwit each other and sometimes even themselves....

2001-08-20
Fantastic
Memento sees Guy Pearce play Leonard Shelby, a man with no short term memory, on a search for his wife's killer in a film which is intelligent, engaging, well thought out, and sometimes, even funny.

Memento demands your full concentration, and its backwards development is a stroke of genius, placing you in the same situation as Leonard; you see what he sees, and aside from small clues, very little else. This way of engaging its audience is what makes Memento special, as it draws you into the plot and Leonard's complex situation without leaving you lost amidst the chronology or bogged down in little clues. This is also helped by Guy Pearce's performance; he remains likable for most of the film, his little jokes and his honesty helping you side with him, but he also shows evidence of a darker side, especially towards the end (the beginning?), as Teddy (Pantoliano) plants the seed of doubt in his mind.

Basically, Memento is a very good film, an intelligent, engaging storyline that keeps you interested even after it ends.
2006-03-14
Some memories are best forgotten. You have to appreciate how original a movie ‘Memento' really is!
Losing your memory would have to go close to one of the worst experience anyone could ever suffer from. In the movie ‘Memento', we get to see how bad it is to suffer from short term memory loss. It also gives us the chance to see how far a patient of such a disease will go to remember what is most important to him. In the vain of ‘Pulp Fiction', Memento is a movie that has to be seen to be believed. It is no wonder that this movie is so popular with the movie going public around the world.

Leonard Shelby wears expensive, tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he looks like a successful businessman, his only work is the pursuit of vengeance: tracking and punishing the man who raped and murdered his wife. The difficulty of locating his wife's killer is compounded by the fact that Leonard suffers from a rare, untreatable form of ‘amnesia'. Although he can recall details of life before his ‘accident' Leonard cannot remember what happened fifteen minutes ago, where he is, where he is going, or why.

Christopher Nolan has made one great (but confusing) movie. His style in directing and editing ‘Memento' is quite unique, as no movie has ever been made quite like it before. The story being told in a backward kind of motion makes the audience have to think hard about what they are watching. It also makes the audience feel for a guy like Leonard, whose condition only gets worse and worse as the movie goes on. I am almost 100% sure that Nolan and his brother Jonathan, made up this story in the realisation that it was meant to be confusing. What is also cleverly done by Nolan is the use of black and white and then colour shots. In my opinion, the variations in these shots are used so it confuses the audience even more.

Guy Pearce's role in ‘Memento' shows me why he is so successful in Hollywood today. Pearce plays Leonard Shelby, a man on the hunt for his wife's killer. The only problem is that Shelby is suffering from ‘anterior-grade amnesia', a disease that cannot be treated. With ‘Lenny', I feel the audience suffers partly the same condition as he does, and partly does not, as we can remember what has happened in the present.

Memento's other main stars include corrupt cop ‘Teddy' (Joe Pantoliano). A friend said of Pantoliano's performance in Memento, ‘he was perfect for the role of ‘Teddy', as he comes across as the mysterious bad guy'. I could not agree more. There is also the character of Natalie (Carrie-Anne Moss) who is a lot like Teddy in her own way. What is similar about these characters is the way they use Leonard's condition to advantage their own situations.

Other characters include Sammy Jenkis (Stephen Tobolowsky), who is a victim we learn about from an old case when Leonard Shelby was an insurance investigator. There is Leonard's wife, Catherine (C.S.I.'s Jorja Fox) who is another fascinating character. Although we do not hear her say much, she is a vital part of this most confusing story. Add in the funny role of Burt (Mark Boone Jnr.), the motel clerk, who openly admits to Lenny that he is ripping him off, by giving him two rooms, but that he will not remember it happening anyway.

Yet in no way do any of the characters in ‘Memento' realise they are in a time reversed movie. I am sure that many of the performers would have had to read their scripts many times to understand what was happening from a cinematic point of view. But from an acting prospective, this would have been an easy experience to be part of. Memento also has some interesting devices to tell the story. The way Leonard tries to remember things in the present and the future, via notes tattoos and photographs, making them an important element within the movie. Without them, our hero would not be able to remember anything.

Nonetheless, memory is the most vital element in this movie, because without it, people are confused, isolated and abused, which is what happens to our ‘hero', Leonard. As Lenny mentions early on in the film, "Memory's unreliable ... Memory's not perfect. It's not even that good. Ask the police; eyewitness testimony is unreliable ... Memory can change the shape of a room or the colour of a car. It's an interpretation, not a record. Memories can be changed or distorted, and they're irrelevant if you have the facts." But it has to be ironic that Leonard is the one who narrates ‘Memento', when his recollections and memories of events are inaccurate and jaded. There are also some powerful scenes in ‘Memento'. The one ‘which sticks in my mind the most' has to be where Natalie abuses Leonard, calling his dead wife a ‘whore', snorting smartly ‘that you won't be even able to remember what I have said'.

So, if you watch this movie and it confuses you the first or even the second time, I can assure you that is how you are meant to feel, confused. If you hated watching ‘Memento' the way Christopher Nolan intended, then I can only recommend that you get a hold of the DVD and watch it in chronological order, as it will really help you. Memento also shows how bad ‘mental disease' patients can be abused by healthy people and what lengths sick patients will go to try and keep ‘sane'. Also, if a movie makes you think, then in some way it has been successful in doing something that many movies do not do – making you think. Those sorts of cinematic experiences are the ones that we need to cherish for life, as they are few and far between. Memento is one such experience.

CMRS gives ‘Memento': 5 (Brilliant Movie)

2003-02-06
is it really that good?
having been given recommendations from friends to watch this film, i duly booked a night in to watch it. what a mistake. i believe this is the most over-rated film in history. ok, the film was original yes. but entertaining? no, not in the slightest. even after watching it on another 2 occasions, my views haven't changed.!
2002-10-08
A cerebral puzzle without passion
Fragmented, disjointed, unsequential story and screenplay, is innovative and certainly attention-getting, but ultimately mutes the emotional impact of film. Too few moments when the viewers here could connect, possibly because you have to work so hard continuously to figure out what is going on. An intricate cerebral puzzle but without passion.
2002-08-04
No substance
Very little substance in this movie, with the gimmick (very well done) of telling the story in non-continuous sequences and almost in reverse order. But it is a frustrating and non-rewarding movie that cheats the audience at every step: a fictitious illness, characters that do things more to startle the audience rather than for a realistic reason, and an ending that is way too predictable and really silly at the same time. Basically, if you told the movie in a normal fashion, it would show more holes than a certain cheese I am fond of.
2001-10-14
Rated 10th best overall? Is this a joke?
Rated 10th best overall by IMDB? There was nothing above average in this movie. A weak plot that unfolds backwards is worse, not fresh, creative, or ground-breaking. If you ranked this movie in your top 10 you probably enjoyed such classics as Lost Highway and Drowning Mona.

If you can appreciate an art display consisting of a cage of live chickens running around, this movie is for you. Otherwise, this movie was a sharp stick in the eye. Avoid at all costs.

2003-01-31
can't believe how much I'm still thinking the day after
So the "innovative" concept of filming out of sequence has been cliche for at least a few years now, but here's a film that makes it work far better than its been shown in a while.

Having read the reviews and talked to others who saw it, I thought that I'd go into the movie figuring everything out right away and declaring the concept unworkable. I couldn't be further from the truth. This movie does things to your head that are illegal in some countries. Portrayed (for all intents and purposes) backwards, it forces you to think in the same way that our lead character, Leonard Shelby (Guy Pearce being more brilliant than usual) does. Suffering from a condition that renders him unable to remember anything for more than a few minutes, he is searching for the man who raped and killed his wife. Since each seen lasts no more than 15 minutes before jumping back to the what happened before that, our perceptions are shattered in the same way.

Carrie-Anne Moss and Joe Pantoliano (both of The Matrix) put in great performances that leave you guessing; simultaneously endearing and revolting.

Overall I left the film trying to figure out what was what, and I'm still not sure. This film noir concept shouldn't work, but it does so wonderfully.
2001-05-24
Pretentious dreck
The novelty of this movie is supposed to be the shuffled time-line and slowly revealed plot elements. But, neither improve the mildly lackluster story. Rather, they make it an agonizing waste of time.

Movies are meant to entertain, or at the very least, to educate. This snoozer does neither. It seems to me merely an exercise in hipper-than-thou pretentiousness. And, so many of the high-ratings coupled with reviews raving over how artistic and original the approach absolutely confirm this by presuming that anyone who doesn't like Momento is somehow incapable of understanding the complexity. Rubbish (both the movie and the smug reviews). If anything, it is they who are incapable of seeing through the hype to know when they've been duped.

Yes, I hung in there for the entire movie... only to wish I'd ditched after the first 10 or 15 minutes when I was first inclined to give up on it. And, yes, I do know the difference between art and pretense.

Take my advice. If you reach the same impasse shortly into your viewing, BAIL! I give you my permission. You won't be missing a thing.
2014-04-28
Huh? I was truly disappointed
My friends had raved so about this one, I was expecting depth, intricacy, and brilliance. Instead, this played like a contrived derivation of an old Alfred Hitchcock episode that starred John Forsythe with a dash of Mr. Buddwing and a pinch of Wait Until Dark thrown in for good measure. # 14 movie of all time !?! -- someone is playing a joke -- right?
2001-06-23
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