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Drama, Music
IMDB rating:
Geremy Jasper
Kirk Knight as Nomad
Yair Koas as Sound Technician / Crowd Member
Warren Bub as Mr. Bagadella
Brett Diggs as Promoter
Mackenzie Grace Castle as Bar Mitzvah Dancer
Mamoudou Athie as Basterd
Ray Iannicelli as Joe Puppy
Dylan Blue as Drewsky / Master of Ceremonies
Storyline: PATTI CAKE$ is centered on aspiring rapper Patricia Dombrowski, a.k.a. Killa P, a.k.a. Patti Cake$, who is fighting an unlikely quest for glory in her downtrodden hometown in New Jersey.
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a good feeling from bad
Greetings again from the darkness. A gritty, New Jersey based story of a blue-collar white girl trying to make it in hip-hop sounds like the makings of a film festival favorite – especially since it's the first feature from its director and it features a star-making turn from an unusual leading lady. After being warmly received at Sundance and Cannes (and other festivals), the only remaining question is, will mainstream audiences show the love?

The obvious comparison here is Eminem's 8 MILE, but there is also a touch of ROCKY, THE COMMITMENTS, and most all other sports and music movies featuring the dreams of those from 'the other side of the tracks'. Writer/director Geremy Jasper has a nice feel for setting and actors, and it's only the (at times) formulaic nature of the script that keeps this one in the crowd-pleasing category rather reaching a level of greatness.

Australian native Danielle Macdonald plays Patti Dombrowski, also known as Killa P, and most every other cruel nickname (Dumbo, White Precious) one might pin on a plus-sized Anglo girl found street rapping. As you would expect, her tough outer visage masks an all- too-familiar inner insecurity borne from a larger than life mother who blames her daughter for every misery in life. Bridget Everett plays the mother Barb, a hard-drinking, hard-singing, hard-blaming type who gives such sterling mother advice as 'lose the top button' for that job interview. Mother Barb, providing proof of her distance from reality, refers to herself and daughter Patti as "the Dombrowski sisters", whom she claims are "setting the world on fire".

The tenuous mother-daughter relationship is at the core of the film, and these two actresses (and the movie) are at their best in their scenes together. On the music side, Siddarth Dhananjay plays Jhen, Patti's eternal optimist-pharmacist-music partner, while Mamoudou Athie is Basterd, a self-proclaimed anti-Christ anarchist. The three form a band called PB&J (Patti, Basterd, Jhen) which provides friendship, a creative release, and, mostly, a reason for existence. Their band, and especially Patti, gets a boost from Nana (a remarkable Cathy Moriarty) on vocals and the CD cover. Ms. Moriarty is now 56 years old (playing older here), and was only 19 when she made her stunning screen debut in RAGING BULL. Other supporting work is provided by MC Lyte, Wass Stevens and Sahr Ngaujah.

The neighborhood is Bayonne New Jersey (see CHUCK), an area where lines such as "blood is thicker than Jager" actually make sense. A 23 year old would-be rapper can work as a bartender and caterer, and still find time to hone her musical skills. It's the land of misfits and music that only sounds sweet to a few ears - where dreams don't consist of owning yacht, but rather "making it across the bridge". Crowd- pleasing movies are quite welcome these days, and filmmaker Jasper has joined with dynamite actresses Macdonald and Everett in delivering just that. Expect all to reach greater heights over the next few years.
If You Aren't Turned Off By Extremely Explicit Language Give This Underdog Film a Chance
Looks like there's a cadre of user bashers here for any positive reviews about this film. I would say judge for yourself, that is if you don't mind extremely explicit language and lyrics throughout the movie.

Danielle Macdonald is superb in her role as the plus-sized aspiring rapper Patti Dombrowski, who's a 23-year-old from New Jersey. Excellent supporting performances from Siddharth Dhananjay, Bridget Everett, Mamoudou Athie, and Cathy Moriarty, who often "steals the show" portraying Nana.

Yes, parts of the film are predictable, but I couldn't help rooting for Patti and her dreams.
Rap saga that both inspires and lets reality bite
The braggadocio of the rap world in which Patti Cake$ main character Patricia (Danielle Macdonald) aspires could not be further from her daily routine. Climbing the social ladder in the real world means waitressing at a fancy establishment and watching the wealthy live their lives. In her head she is amongst OZ (Sahr Ngaujah) the most fantastical of hip- hop superstars.

This indie gem serves to illuminate the lobsters dragging everyone down amongst a medley of insularity and fading dreams, the bullying and the teenage pregnancies and the drunkenness all part of a conspiracy against escape. Perhaps the most complex relationship in the film is between Patricia and her mother Barb (Bridget Everett), who resents where her own life ended up after a promising early singing career.

This isn't all a film of grit and family strife. In spite of the confines of her environment, as well as a sharp diversion from her peers in the rap world, the girl has talent. The question isn't can a fat white girl rap, it's whether anyone will ever care. But to call this film a paean to women making it in a man's world, or big girls kicking it on screen, seems trite for a film that achieves this and much more.

Everything from the quiet tragedy of dive bar karaoke to a rap legend's pretension is displayed with authenticity and dedication. The film starts to follow a familiar pattern in its final act, but by there is enough investment in Patti and her Jersey surrounds to still will her to succeed.

Much of the film's ire is reserved for those who have left inventiveness for lazy misogyny in their work and in their lives. Patti's battle with one such loser is an early moment the audience can see her raw talent. She is also clearly more talented and authentic than best friend Jheri (Siddharth Dhananjay) and this potential cause of friction could have been explored further in the film.

Danielle Macdonald is excellent as Patti, displaying a fierce yet deeply wounded character. Women of her body type have too long been typecast as comic relief, and I hope MacDonald's dramatic here will be built on in upcoming roles alongside Jennifer Aniston in Dumplin' and Greta Gerwig's Lady Bird.

Patti Cake$ isn't just a calling card for Macdonald, but also director Geremy Jasper. Here he has shown the ability to delve into the banality of working class America and create a film of real vibrancy and hope. It's a far cry from Selena Gomez music videos and short films with David Beckham.

After generating serious buzz at the Sundance Film Festival earlier this year, Patti Cake$ landed a $9.5 million distribution deal with Fox Searchlight Pictures. A September release date also shows that millions more may yet be sunk into an Oscar campaign. An Original Screenplay nomination for Patti Cake$ would be well earned, and anything less than a Best Actress nomination for Macdonald would be a travesty.

@BrianInvincible https://christophermarchant.wordpress.com/
The rapping was phenomenal
I really enjoyed this movie. The only part that I didn't care for was the dream sequences I could've done with less of those however although it started slow it movie ended with a bang and I thought it was well done and fantastic .

When I heard about this movie I researched it and was disappointed to find out that it was not playing in my area so I had to drive an hour out of my way to be able to see it but I am very glad that I did. Reminded me a little of 8 mile and the rapping is fantastic, I'm going to download those songs from iTunes

As for her cohort in crime Siddharth Dhananjay did a phenomenal job as well! Great performance !
A fun movie.
Somewhere in-between 8 Mile and this Swedish film called We Are the Best (Go find it if you have not herd of it.), Lies PattiCakes. About a girl trying to make it in this Hip Hop game, but it's a hard climb for a heavy set white girl from the burbs trying to make her dreams come true. A better cry for feminist power than anything Jenifer Lawrence could ever put out as we watched the ultimate underdog story. A common story with an uncommon protagonist at the center. It has all the elements of a good sports movie but the competition is rap. My favorite part in the movie was when she and her odd rap crew are getting her record done. The whole creating process of making an album was really cool. Couldn't tell you if the words she spit were fire, but it does not matter, it's still a great musical journey and worth seeing for all fans of not just hip hop, but music.
Watch it for Danielle Macdonald's sensational performance
"Patti Cake$" (2017 release; 108 min.) brings the story of aspiring New Jersey rap-artist Patricia Dombrowski. As the movie opens, she is being announced as Killa P. at a big rap show. Turns out our girl was dreaming in her sleep. She wakes up and we get to know her daily routine, working a crappy job at a crappy bar. She dreams of making it big, with help from her friend Jheri, himself stuck at a lousy job in a drug store. We also get to know her mom, who turns out was on the edge of making it herself as a musician 30 years ago, but alas just missed out on getting signed by a record label. And then there is Nana, who seems closer to death than she is alive. At this point we're 10 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the feature-length debut for writer-director Geremy Jasper (who previously has done various music videos). Here he tackles familiar territory, one that could be titled the female version of "8 Miles", albeit this movie is sweeter and ultimately more rewarding. The director captures the yearning of these Jersey kids perfectly, as they stare at the NY skyline and can't wait to get out of New Jersey. Beware: there is crass language throughout the movie, so if that is a problem for you, do yourself a favor and check out another movie. Australian plus-sized actress Danielle Macdonald is nothing short of sensational in the title role, and surely we have not seen the last of her. I was shocked to see in the end titles that Nana was played by none other than Cathy Moriarty, who is completely unrecognizable. Last but certainly not least, there is a ton of great music throughout the film (the original songs are written or co-written by Geremy Jasper), and check out also the Bruce Springsteen tune "The Time That Never Was" (from the 2015 The River Outtakes collection).

"Petti Cake$" premiered at this year's Sundance film festival to immediate critical acclaim, and I've been eagerly waiting to see it. It finally was released most recently, and I happen to catch it during a recent family visit in Belgium. The Wednesday early evening screening where I saw this at in Antwerp, Belgium, was attended nicely, I am happy to say. If you are in the mood for an empowering and even uplifting movie that is MILES away from your standard Hollywood fare, I'd readily suggest you check this out, be it in the theater, on VOD, or eventually on DVD/Blu-ray.
Sweet, funny, and inspiring -- an unexpected surprise
I can now understand the 10-minute standing ovation at Cannes -- This is the kind of feel-good movie we all need to see right now. Major star turn for Danielle Macdonald, with top-notch performances from Cathy Moriarty, Bridget Everett, Siddharth Dhananjay, and Mamoudou Athie, Hope this little film gets the wide release it deserves. I'm not a hip-hop fan, but I even love the soundtrack.
Didn't expect much, walked away very surprised in a great way.
What a shocker! I didn't think I would enjoy this but had time to kill. I was impressed enough to post a review, which I never do. The characters pulled me in and really made me feel something. Make me feel something, angry, sad, happy, scared, confused, anything. A good movie (for me) takes me away from my life and lets me see the world through others eyes for an hour and a half. This is not a prospective I would ever have imagined I would enjoy but I did. By the end of the movie I was rooting for Pati and her friends. I really felt vested in what I was seeing all a while through their eyes. Great acting, great story, great idea all around. Watching this movie was time well spend. Kudos!
Macdonald is Utterly Believable and Amazing to Watch
When Sundance celebrates a film it's not a sign of innovation or creative courage or unique vision. It just means that a low budget film is as much a slave to clichés, poorly constructed tropes, and mechanical audience pleasing manipulation as a mainstream one. The only difference is that it's focused on underrepresented characters or subject matter. And that's good, that's important, of course. Yet, I most often use "Sundance Celebrated" as a derogatory term synonymous with a lack of creative courage. Films celebrated at Sundance seldom work for me.

PATTI CAKE$ is guilty of all those things.

And it completely worked for me. I dug this film immensely. Why? Mostly because I'm a sucker, I guess.

I'm a sucker for movies about people making music. I'm a sucker for movies about working class people trying to get by. I'm a sucker for movies about creativity and dreams and struggle. I'm a sucker for movies with energy and a sense of fantasy mixed with the hardships of the real world. But all of that can go horribly wrong. It's easy to earn an eye roll when two characters hold hands for the first time and the music swells. It's easy to lose patience when the mechanics of the script become so incredibly predictable that you can chart the struggles and victories in the first ten minutes.

Patti Cake$ is partly saved by director Geremy Jasper's amazing synergy of music and imagery. The film is an absolute blast to watch if you love movies about music. But what really sells it is actress Danielle Macdonald as Killer P, A.K.A Patti Cake$.

Macdonald is sick in this. Utterly amazing. I fully believed she was a New Jersey girl with strong flow who the director found in some parking lot and decided to build a film around. I was ecstatic to find she's an Australian actress who, before taking this role, had never heard a New Jersey accent and didn't know how to rap.

It's through her authenticity that I bought into the fantasy culmination of the perfectly orchestrated underdog struggle. Through her that I bought into the love and the joy and the hope.

And I walked out of the film happy and charged, finally content just to be an audience member pleased.
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