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Download The Lord of the Rings: The Return of the King Film Online 🎥
Year:
2003
Country:
USA, New Zealand, Germany
Genre:
Drama, Action, Adventure, Fantasy
IMDB rating:
8.9
Director:
Peter Jackson
Noel Appleby as Everard Proudfoot
Sean Astin as Sam
David Aston as Gondorian Soldier 3
John Bach as Madril
Sean Bean as Boromir
Cate Blanchett as Galadriel
Orlando Bloom as Legolas
Billy Boyd as Pippin
Sadwyn Brophy as Eldarion
Marton Csokas as Celeborn
Richard Edge as Gondorian Soldier 1
Jason Fitch as Uruk 2
Storyline: While Frodo & Sam continue to approach Mount Doom to destroy the One Ring, unaware of the path Gollum is leading them, the former Fellowship aid Rohan & Gondor in a great battle in the Pelennor Fields, Minas Tirith and the Black Gates as Sauron wages his last war against Middle-Earth.
Type Resolution File Size Codec Bitrate Format
1080p 1920x1080 px 19109 Mb mpeg4 10151 Kbps mp4 Download
HQ DVD-rip 640x272 px 2090 Mb mpeg4 696 Kbps avi Download
DVD-rip 640x272 px 796 Mb h264 128 Kbps mkv Download
iPhone 640x360 px 2257 Mb h264 1569 Kbps mp4 Download
Reviews
Beautifully realized, but it has eight separate endings
***Spoilers herein***

That's right, this film could have ended eight separate times, but it chose to keep going. It's one of those movies where you think it's going to end, but then suddenly there's another scene. I would rather have had fewer and shorter Hobbit close-ups and Family Ties-style hugging, and more Saruman and Treebeard. The film skips Saruman's downfall, and he's relegated to a single sentence by Gandalf. After all the crap that Saruman pulled, I really wanted to see how broken he was after Isengard's destruction by the Ents. Speaking of Ents, Treebeard is in the film for about a minute. It would have been nice to see he and Gandalf gloating over Saruman's downfall. I guess there was only so much they could fit into three hours.

The three films are a tremendous effort. There are breathtaking vistas, panoramas, and sweeping pans whisking you up and down Minas Tirith and Mordor, and the battle scenes are nothing short of remarkable. In one scene, Legolas swings up the side of an oliphant and quickly kills everyone riding it, then fells the huge beast with a single arrow, all while the view is rapidly rotating around and around the maddened oliphant. It is a stunning special effect.

One problem I had with these films is the realism. In both Minas Tirith and Rohan, there are absolutely no farms, livestock, fields, wagons, crops, markets, trees, or any of the other things that a city requires in order to provide for its people. Watch the movie carefully. See a crop of corn anywhere, or even one single sheep? Where did they get the material for those clothes?

There are two scenes with Shelob that are breathtaking in their simple horror: there is a full view of Shelob, launching herself onto the little Hobbit with the tenacity of a rabid dog. In the theater, everyone gasped at that scene, because it drove home the size of Shelob against the size of Sam. The second one is where Frodo is by himself, on the path, and Shelob looms soundlessly over him. It is creepy to watch.

I'm disappointed by the truncated friendly rivalry between Legolas and Gimli. In the book there was a rich humor in their odd-couple friendship, but it isn't really explored in the films. Then again, there are so many characters that the film couldn't possibly explore them all. Eowyn's story seems particularly abrupt; the tender moment with her dying father is pretty much the last we see of her. I don't remember seeing her at the wedding. The moment she slays the Nazgul reminded me of St. George and the dragon. Also, Faramir's story ends abruptly too. And what about the white tree and the restorative quality of kingsfoil? It was those missing details that could have added more humanity to the film.

There could not have been a better Gandalf than Ian McKellen. He has just the right kind of wise, sprightly, smart-ass attitude that the character has in the book. He's fantastic during battle scenes, whirling around, running back and forth, telling people not to give up, conking mad steward Denethor on the head with his staff. I understand that Peter Jackson wants to make the Hobbit as well, and if so, it will be nice to see Ian McKellen introducing the dwarves one-by-one to Bilbo Baggins at Bag End.

Frodo and Sam's trek through Mordor moves too quickly. One moment they are in the orc's tower, and the next they are at Mount Doom. How did they get there so fast? Gollum's descent into the volcano was perfect. In a final demonstration of just how precious the ring really was to him, he keeps it out of the flame until the last possible moment as he slowly sinks into the lava, deliriously happy at having the ring again as he ignores the lava that eats him alive.

This film isn't perfect, but it's so faithful to the book and so carefully crafted that it's easy to overlook the faults and enjoy the breathtaking scenery.
2004-01-08
The first great cinematic masterpiece of the twenty-first century.
I am, I admit, an unlikely convert to the religion of Tolkienism. I have never read the books, having, I thought, been put off them for life by the sort of obsessive freaks who read them when I was at school. (One classmate, then aged about sixteen, told me with great pride that he had read the whole of 'The Lord of the Rings' at least fifty times). I also have never been a great admirer of the 'sword and sorcery' school of fantasy writing or film-making; indeed, some of this genre (mostly those starring the current governor of California) struck me as being among the worst films ever made. I was, however, persuaded to see the first in the trilogy, 'The Fellowship of the Ring', by its overwhelmingly positive reception from the critics, and was quickly won over by the scope of Peter Jackson's vision. I had been expecting some twee tale of elves, gnomes and fairies; what I experienced was a genuine epic (in the true sense of that overused word). Ever since December 2001, I have been waiting for parts two and three of the trilogy to be released. Neither has disappointed me. The story of 'The Lord of the Rings' is too complex to be told in a review such as this. Suffice it to say that it revolves around a magic ring which will give its possessor immense power. The power-hungry Dark Lord Sauron (a figure who is never actually seen on screen) desires to obtain the ring in order to dominate Middle Earth. His enemies, led by the wizard Gandalf, are seeking to destroy the ring, which can only be used for evil purposes, not for good. At the beginning of the final part of the trilogy, Sauron's forces are massing for an attack on the kingdom of Gondor. The film relates the story of the conflict which follows, and this leads to some of the most spectacular battle sequences I have seen, even more impressive than those in 'The Two Towers'. Inevitably, the film makes much use of computer-generated effects, but unlike many films dominated by special effects, plot and character are not neglected. The acting is uniformly good, and in some cases outstanding. Special mentions must also go to the camera-work, which made the best possible use of the magnificent New Zealand scenery, and to Howard Shore's memorable musical score. So, looking forward to the Oscar ceremony, I have no doubt that this should be the best film and that Peter Jackson, who has amply fulfilled the promise shown in the excellent 'Heavenly Creatures', should be best director. Best Actor? I would find it difficult to decide between the competing claims of Sir Ian McKellen, who brings wisdom, kindliness and the required touch of steel to his portrait of Gandalf, and of Elijah Wood, who plays the brave and resourceful hobbit Frodo to whom falls the dangerous task of ensuring the ring's destruction. Best Supporting Actor? My own nomination would be for Sean Astin, as Frodo's loyal companion Sam, but several others might have claims, notably Viggo Mortensen or Bernard Hill. Is this the best movie ever made, as some of its admirers have claimed? Possibly not- that is, after all, a very large claim to make. I have no doubt, however, that the trilogy as a whole is the first great cinematic masterpiece of the twenty-first century. It has certainly inspired me to start reading Tolkien's original novels. 10/10.
2004-02-04
LOTR ROTK Review
After the last two Lord of the Rings films, the journey of so many heroes has come so far, and it all leads up to this. Darkness falls upon all of Middle-Earth. Huge armies of orcs march upon the kingdoms of men. The One Ring comes closer to its evil master. Could this be the end of the world, or the start of a new beginning? This final chapter in the film series starts off with an incredibly moving sequence: the heartbreaking tale of Gollum's origins. From the on, it picks right back up where the last films left off, chronicling the journey of Frodo, Sam, and Gollum as they tread in dark and dangerous territory, combating orcs, one giant spider, and ultimately themselves as they approach the threshold of Mount Doom. At the same time, the film presents some of the biggest and most epic scenes ever committed to film: the Battle of Minas Tirith. It is a huge spectacle that fills up the entire screen with thousands and thousands of orcs, men, war machines, lumbering beasts, Nazgûl, cavalry, massive elephants, and even ghosts. It is a long struggle that fills up most of the movie's runtime, but it's always awe-inspiring. As if that's not enough, the film then brings the battle to the gates of Mordor, for one grand climax. Even in the calm before each battle, the film remains as captivating as its predecessors, thanks to its style and storytelling prowess. If there's anything to truly complain about, it would be the lengthy denouement. Overall, however, the experience of The Return of the King has never failed to invoke feelings of awe.

At this point, the characters of the film are well-established and intimately familiar, but the film does take its time to explore more of the familiar faces and elaborate on fresh new characters. They all come together to contribute to the multiple conflicts, tying every strand of the plot to one epic climax; it's a sublime union that makes everything in the three movies relevant, and provides satisfying closure all around. Many liberties are taken from the original novels, but for the big screen, it works to generate the best possible spectacle and make the plot work evenly. Themes of war, corruption, addiction, good and evil, and adventure all prevail.

As before, this film is crafted with excellent photography and editing. All the major players return and contribute fantastic performances in their respective roles (especially Viggo Mortensen, who stands out more in this film than before, but it is always a pleasure to watch Ian McKellen as Gandalf, along with the rest of the fellowship and all their allies). Writing is superb. This production boasts some excellent sets, props, and costumes. Special effects are huge; at its time, it was most groundbreaking for generating the biggest armies ever seen on screen all at once. Despite aging a bit, the effects are still impressive. Howard Shore's music score is as masterful as ever.

Return of the King delivers the best possible payoff for the Lord of the Rings trilogy (and it might even outshine the Hobbit saga in the end). Not only does it boast some of the biggest battles, but it is also a film with power and beauty. It has cemented itself as one of my all-time favorites (was my number-one favorite for quite a few years), and the Lord of the Rings saga overall remains one of the most sublime marriages between spectacle, storytelling, and style.

If you watch the Extended Edition of this film, you will be treated to about an hour of bonus scenes, which offers a lot of excellent substance. Among the additions, there are longer battle scenes, a scene showing the fate of Saruman and Wormtongue, an extended encounter with the Army of the Dead, a parley with the Mouth of Sauron, and more. I think most of these scenes are really awesome, and this version of the film is definitely worth seeing.

5/5 (Experience: Perfect | Story: Perfect | Film: Perfect)
2014-04-06
Lord Of the Rings- a real WORK OF ART!
Lord of the Rings-The Return of the King is surely the greatest movie ever made.

I consider that is has the most fascinating plot ever written.The universe of the movie is unique: a fantastic world which includes almost every mythical creature we heard of. Elves,orcs,trolls,hobbits,all these make up a charming atmosphere.

The idea of a Ring that can submit the will of it's bearer is surely unique is recalls all throughout the movie.Also, the love story between Aragorn and the immortal Arwen is the most original one seen in the entire history of movies. The fate of king Debethor reminds us of Greek tragedies and the film contains great moral learnings,most in the words of the wizard Gandalf.

The fantasy and the charming, sublime atmosphere make me consider this movie the greatest work or art ever created by mankind.
2005-06-30
What a Way to end, Truly amazing and one of the best films ever made
Truly a masterpiece. This film was more than worthy of its 11 Oscars. The fellowship was stunning, the two towers was inspiring but the return of the king was truly the greatest film i have ever seen. The thing that is most amazing about the return of the king is that it fills the jigsaw of its predeceors and does it with such epic granduer emotion, and inspiration that i know very few people who were not amazed by it. I myself have read the Lord of the Rings by Tolkien and in light of this can say that this film has to be one of the adaptations in recent times. Peter Jackson, I feel simply could not have done a better job in using the beautiful new zealand landscape to portray Tolkien's vision.

Without a doubt the speech, roars and sheer numbers of the rohirrim at the pellennor charge in the sunset is truly the greatest sequence of film i have ever seen. People say the ending is too long, I say it was perfect as it gave a heart felt and fitting deneaumont, and ended a truly remarkable trilogy that will not be soon forgotten.
2005-09-21
This type of excellence will never be repeated
So there's two trilogies I watch over and over again, year over year and sometimes even more than once/year. The Lord of the Rings trilogy and the Swedish Millennium Trilogy (Girl with Dragon Tattoo).

Lord of the Rings, Return of the King is my favorite of the three because it's on an epic scale of film-making that we'll likely never see again. From beginning to end, the story-telling, location, dialogue, character development, direction, acting, costuming, set design, cinematography, you name it, all of it is stellar in this film. I was in love with the books and this trilogy, similar to Oplev and Alfredson's Millennium films, adapted to the books in a spectacular way, as to be rendered in a class of their own.
2017-09-02
Pretty much outstanding
I admit it, I love all three Lord of the Rings films. People may say Return of the King is the best of the trilogy, some may say it is the worst. I personally think Two Towers is the best for its scope and better exploration of some of the characters, but while it is still great Return of the King is better than Fellowship of the Ring.

My only slight disappointment is the ending, it does feel overlong and bloated for me, almost as if there was more than one ending filmed. That said, what does make the ending at least watchable for me is the way it is shot, the marvellous score and the performance of Gollum.

Despite this minor discrepancy, Return of the King is extremely good and in my view one of the better Best Picture winners last decade. Peter Jackson's direction is very impressive here, and the scope is massive and just dazzling to watch. All three films of the trilogy are very well made, but Return of the King defines the term epic. The cinematography is mind-blowing, the scenery is superb, the costumes and make-up are well tailored, the effects are superb and don't distract too much and the lighting is authentic.

The score is phenomenal. Fellowship of the Ring had some ethereal, rousing, haunting and charming themes, whereas Two Towers was somewhat darker and more complex. Return of the King merges these together and the result is a perfect mixture of charm, darkness, etherality and complexity. The story is compelling with themes of friendship, strength and loyalty, the screenplay is well-written and literate and while the film is very long the three hours or so fly by seamlessly. The characters are engaging, Aragorn is even more interesting here than he is in the previous films while Gollum continues to steal every scene he appears in.

The acting is very good. Orlando Bloom(who I can find dashing yet uncharismatic and bland) and John Rhys-Davies are given less to do but do carry their parts very well, and Elijah Wood is likable enough. Sean Astin captures Sam perfectly and provides the heart of the picture, and Viggo Mortenssen is at his charismatic best here. Ian McKellen is perfectly cast, while the design of Gollum is still superb and Andy Serkis is equally phenomenal. I was slightly disappointed by the lack of any Sarauman, but I was more than I was satisfied with the final result.

All in all, an outstanding entry to a great trilogy. 10/10 Bethany Cox
2011-03-09
Great until the last 20 minutes
The Lord of the Rings trilogy will certainly go down as a masterpiece overall. The third installment picks up where the second left off. There are battle scenes colossal enough to make it a classic.

Spoilers: Both for the review and the film.

What I didn't like was the lack of suspense. It seemed certain throughout the whole movie that Frodo would complete his mission. Not a single headliner dies. Frodo loses a finger in a scene and then later we see his hand undamaged.

Even worse is the slow motion homoerotic scenes with Frodo and his Hobbit buddies lolloping in bed together with Gandalf and the other humans looking on gleefully. I almost thought it was some kind of a joke it was so gaudy.

While these flaws dilapidate the movie I can't say they totally ruin it. If I ever see it again I won't stick around for the last drippy moments.
2003-12-30
This is The Movie
What can I say? I've read a lot of what other people said about this movie. Some positive reviews but other not so appreciative. This is why I've decided to write a review myself, even after so many years since this movie was released... I felt I owe to it at least that...

I did not grew up with Celtic tales as I'm not from that part of the world. However, as a kid, I've read a lot of tales, from my own folklore but also from other regions as well: European, Far East, Middle East, American, South American, you name it. The Lord of the Rings was not one of them and I didn't knew anything about it until I saw The Fellowship of the Ring. From that moment on, I just couldn't wait for the next release each Christmas. When finally I found the book translated, I bought it and read it. All three movies were already seen by then but I've still read it.

For all of J.R.R Tolkien fans, yes, the movie doesn't respect the tale in every aspect. Yes, Bombadil is missing. Yes, the swords of the hobbits are not carried by Aragorn and we could keep on this way for hours BUT... what would be the point for that? I'm speaking about the movie, not the book.

LOTR (the whole trilogy) is The Movie. Even after I read the book, I cannot think of a better way to put this huge story on screen. For all those who are upset because the movie does not respect 100% the book: guys, we are speaking about 9 hours of film to put the whole story in a coherent form! Something had to be cut, something had to be "adapted" to make this movie enjoyable and not boring. My opinion is Peter Jackson and his entire crew did the best job it could have been done.

The cast is almost perfect, starting from Frodo and Gandalf and ending to the last elf, orc or hobbit. Very good acting using an excellent script, giving to the movie a touch of Shakespeare drama. Breathtaking landscapes and cinematography, superb costumes and design, a music that surely will be subject of study by film music composers for many years! Great CGI, I have to say it because I've seen a lot of movies where CGI ruined everything! Here is not the case! Each of the three part made me to be there, in the middle of the story. I was Frodo, Gandalf, Aragorn, Gimli, Legolas, even Saruman or Gollum. I felt like I could ride Shadowfax, shake hand with Elrond or take a tour of Minas Tirith on foot. I've lived every single battle, slaying orcs aside Theoden or Faramir. After three hours, the only thing I wished for was to continue the adventure for another three hours.

11 Oscars? I guess this tells us everything about the movie...

Maybe it's not the perfect movie. For me, however, it's the best I've ever seen so far! Thanks to all the LOTR crew for this precious gift!
2017-06-19
An epic ending
"The Lord of the Rings: Return of the King" is the third and final installment of Peter Jackson's adaptations of Tolkien's famous fantasy novels. Once again the makers of the film have taken care with the costumes, sets, scenery, models, CGI effects and Howard Shore's epic score to create a convincing depiction of Middle Earth.

Once again the cast delivers expert performances. John Noble joins the cast as Denethor and effectively makes him into a despicable and repugnant character. Three of the performances in the film were particularly memorable for me. Bernard Hill once again brings authority to the role of King Theoden and his inspiring presence on the battlefield left me in awe. Miranda Otto brings strength to the role of Eowyn and makes the character's best moments unforgettable. Ian McKellen once again brought his commanding presence as Gandalf to bear as he tried desperately to hold everything together.

This film follows the familiar format of the first two films in taking Tolkien's work and streamlining it to create a well-paced film. The famous battle at Minas Tirith is on an unprecedented scale and the best fantasy battle ever filmed. As with the first two films, I found the added scenes for the extended addition interesting, but they didn't add much above and beyond the already great theatre cut.
2007-10-05
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